The Batsheva style is focused, explosive, and feral.
Their moves managed to be both fluid, and violently precise at the same time.
Indeed, it is this wild side of Naharin's choreography that makes his own company so appealing. To say that they have a rawness to their movement is not to imply lack of training, but rather a kind of primal attack in even the most lyrical of places.
The Young Ensemble is unquestionably one of the most magnificent collections of dancers […] Any choreographer should feel fortunate to work with such an ensemble.
“It is a privilege to grant dancers at the very start of their careers the ability to become our creative partners. We hand them the Gaga tool box, our ongoing research of many years, and we make it available to them for immediate use. We watch them go beyond their familiar limits on a daily basis to become great interpreters. Often the young dancers of the Ensemble show me fresh, new ways of looking at my own work.” — Naharin's Virus, by Ohad Naharin.
Batsheva — The Young Ensemble was founded by Naharin in 1990 when he joined the company as Artistic Director; out of an interest in nurturing creative processes, mentoring young dancers, and developing young audiences in Israel. Its unique framework comprises independent choreographic support, rigorous studio training, domestic and international touring, and an exemplary school outreach program. The temporary nature of the program’s two-year structure colors it with a wide range of emotions, inspiring the dancers to make the most of their experience and make a significant impact on both their own practices and the execution of Naharin’s choreography. Each year nearly 400 dancers from around the world travel to Batsheva’s home at the Suzanne Dellal Center in Tel Aviv for Ensemble auditions.The Batsheva senior company is composed almost entirely of Young Ensemble graduates.