The dancers of the Grand Théâtre de Genève work miracles. They are adorable in their accuracy, impulsiveness and integrity.
Since Philippe Cohen’s nomination as the manager of the Grand Théâtre de Genève Ballet Company in 2003, the Geneva Ballet undertook a radical reshaping of its repertoire and image, based on two principles apparently worlds apart: tradition and creation. Tradition in the sense of claiming one’s part in a historical narrative; creation in the sense of actively taking part in writing that narrative for tomorrow.
By cleaving to these principles, the Grand Théâtre de Genève Ballet Company seeks not so much to cultivate the richness of its position as to position itself measuredly in a state of creative imbalance, of permanent questioning. This explains the Company’s original and daring artistic choices, resolutely modern and ambitious, and our preference for young choreographers who show the promise of great things in the years to come. By inviting these young choreographers to come and work with no restrictions in Geneva, the company hopes to establish a momentum of modernity that does not break with the past, but rather echoes its riches and creates a dynamic towards the future. The Grand Théâtre is proud to have served as a launching pad for artists destined to become the star choreographers of our time: Saburo Teshigawara, Benjamin Millepied, Sidi Larbi Cherkaoui, Andonis Foniadakis, Emanuel Gat, Gilles Jobin, Ken Ossola…